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artist_video2014_25BEAUTY / 9 min. 49 sec.
Artist: Rino Stefano Tagliafierro

Synopsis:
BEAUTY is a short story of the most important emotions of life, from birth to death,
love and sexuality through pain and fear. It is a tribute to art, to life and their disarming
beauty.

 

Bio:
Born in 1980, Rino Stefano Tagliafierro is an Italian experimental animator and director. He graduated from the ISIA of Urbino and IED European Institute of Design in Milan. He has made many music videos for major Italian and international artists, and collaborated with studio Bazzani for the production of fashion video for designer Antonio Marras and Kenzo and with studioN!03 for video projection and interactive installations for exhibitions, museums and special events. Over the years he has had experience in visual art and video mapping with Claudio Sinatti and assistant director, art-direction and compositing with the study K48. In 2013 he gave birth along with other two filmmakers on the project audio/visual Karmachina.  He has participated in many festivals and competitions, receiving international awards including: Festival international du film d’animation d’Annecy 2012, Ottawa International Animation Festival 2012, Video Art & Experimental Film Festival NEW YORK, Atlanta Film  Festival 2013, Sapporo Short Fest 2013, Berlin Interfilm 2013.

artist_video2014_2

Buck Fever /5 min. 51 sec.
Artist: NEOZOON

Synopsis:
The video film Buck Fever is a collage of recordings originally made by amateur hunters. It documents the hunters’ tension before and their release after shooting an animal. Finally, the big game hunters pose in front of the camera, their emotions clearly visible.

 

Bio:
NEOZOON, founded 2009 is a female art collective based in Germany and France. The artist group has been known for their actions performed in public space all throughout Europe. The founding concept of their work focuses on the relationship between animals and humans and questions how modern society deals with, both, dead and living animals. The artistic medium of their work ranges from collages to installations as well as films.

Boom and Bust 澎呀派 / 2 min.
Artist: Christian Nicolay & Ya-chu Kang

Synopsis:
Economic markets, financial institutions and the global economy are unpredictable and in constant flux. Boom and Bust 澎呀派 examines the fragility of interconnected global market systems and their relationship to the balance of opposing forces by literally bursting the bubble. Boom and Bust 澎呀派 depicts a world in which rational and irrational co-exist situated between absurdity and reality, familiar and unfamiliar, the vulnerable and invulnerable.

Bio:
Christian Nicolay & Ya-chu Kang started collaborating in 2010 at the Playwrights Theatre Centre (Candahar Bar Project, Clamour and Toll) in Vancouver BC Canada with a sound performance based on morning rituals and habits from Western and Eastern cultures. Nicolay and Kang’s art field have included sculpture, installation, video, sound recording, performance and site-specific projects. Their research deals with the shifting polarities between Western and Eastern cultural landscapes which they define as “portable walls”, a temporary or nomadic shift serving to enclose, divide, protect or change one’s identity. Issues of memory, process, space and time revolve around their portable walls explorations and how these constructions become part of their own experiences and spatial relationships.

Beyond the Glass /4 min. 30 sec.
Artist: Ruth Hogben

Synopsis:
In the artist’s words, ‘The film represents those dark places in your brain that suppress ugly thoughts. I wanted to explore what it means to feel ugly.’

Bio:
Ruth Hogben is a filmmaker and photographer based in London. Hogben has created films and commercials for Christian Dior Parfums, Fendi, Louis Vuitton, Gareth Pugh, and Alexander McQueen and has been published in Elle US, LOVE, and W magazine. She has also directed videos for international music artists Lady Gaga and Kanye West and collaborated on numerous films with SHOWstudio.

Chorus / 6 min. 46 sec.
Artist: Akihiko Taniguchi & Holly Herndon

Synopsis:
A collaboration between Akihiko Taniguchi and Holly Herndon, “Chorus” is a music video that explores the textures of daily necessities and the embodiment/physicality of the computer and Internet.

 

Bio:
Born in 1983, Akihiko Taniguchi lives and works in Japan. He is an artist and part‐time teacher at Musashino Art University and Joshibi University of Art and Design. Taniguchi produces installations, performances and video works using self-built devices and software.

Holly Herndon is an artist currently based in San Francisco, California. As well as touring the world to perform and exhibit new work, she is currently candidate for doctoral study in Computer Music at Stanford University. She received her MFA in Electronic Music and Recording Media at Mills College under the guidance of John Bischoff, James Fei, Maggi Payne, and Fred Frith. While at Mills she won the Elizabeth Mills Crothers award for Best Composer in 2010 for her vocal generated piece ‘195′.

Crème Caramel/ 4 min. 15 sec.
Artist: CANADA

Synopsis:
Sexual impulse is put under a retro-filtered microscope in Canada’s short, Crème Caramel. Having shot music videos for Scissor Sisters and Phoenix, Canada’s Nicolás Méndez, Lope Serrano, Oscar Romagosa and Alba Barneda deconstructed the sensual yet somehow irreverent features of the female form. “When you are obsessed with someone, it’s not just with that someone—it’s with the shape of the hips, the color of the nipples, or the shade of her hair when she comes out of the shower,” says Serrano of their inspiration. “We were thinking of a metaphor that represents the heterosexual male view of the female body: something sweet, tender and beautiful—a crème caramel.” The directors captured the trembling dessert—which they insist is an aphrodisiac—alongside hyper-stylized visual motifs that include kaleidoscopic illustrations and 1970s records. While Serrano crafted the drawings featured in the short, a chance encounter with French band La Femme as he listened to the studio stereo resulted in the climactic soundtrack, “La Femme Ressort.” “When you’re making work based on visions of a woman’s body, you cannot lose your own desire, which is instinctively sexual,” says Serrano, who also cites Godard’s chapter for the 1969 multi-director feature Love and Anger as a reference. “But we’re not insisting on the simply erotic notion, it’s also anatomical: a wonderful succession of details.”

Bio:
CANADA is an audiovisual / producer collective based in Barcelona. CANADA’s filmmakers have directed and produced commercials and music videos since 2008. Our collective works worldwide and is represented by The Directors Bureau in the USA and by Iconoclast in France

 

Coming Soon/ 1 min. 37 sec.
Artist: Diego Agulló & Agata Siniarska

Synopsis:
And how we can control this feelings?
And how we can control this feelings?
And how we can control this feelings?
And how we can control this feelings?

I am sorry I intruded on your privacy, I´ll be sure not next time, ok?

 

Bio:
Diego Agulló was born in Madrid in 1980 and In 1998, he studied philosophy for 6 years at the university of Madrid where he focused his research on the relationship between art and philosophy. During that time he practiced music improvisation, sculpture and painting. He is a co-founder of En Busca del Pasto, a project for musical improvisation.
In 2005 he moved to Berlin where he worked as a freelance video artist and performer. Diego´s current research deals with the intersection between pedagogy and art, creating contexts for learning and practicing theory across art and philosophy. He teaches at SMASH Intensive training in experimental physical performance and he is one of the facilitators of AFFECT Residency at Agora Collective.

Agata Siniarska’s work deals with the idea of female female impersonation. Having given a chance to different kinds of theatrical forms, currently she studies choreography in Berlin, never forgetting her past experiences and cultivating her yearnings for language and writing, cinema and animation. Addicted to fiction, she conducts her investigations between life/death inside the image and life/death outside the frame, fashioning herself as a tool of visual rhetoric, through the cultural structures inscribed to her. Every image she makes, fueled by the energy of profound theoretical hesitancy, she approaches with passion and intense fascination, acting many times not alone but in the company of some exquisite rascals.

Crossings/ 6 min. 20 sec.
Artist: Leila Alaoui

Synopsis:
Crossings is a three-screen video installation exploring the experience of sub-Saharan migrants who embark on the perilous journey to reach the elusive European shores. The installation combines voiceovers and static portraits with reconstructed video landscapes filmed from the imaginary viewpoint of the migrants. It is an immersive experience into the collective memory of a forgotten minority.

Bio:
Leila Alaoui is a French-Moroccan multimedia artist working on cultural diversity, identity and migration using video installations, studio and documentary photography. After studying film and photography in New York, she moved back to Morocco in 2008. Her work has been exhibited internationally since 2009 and has been published in newspapers and magazines, including The New York Times. She now lives and works between Marrakech and Beirut.

Domestikia, Chaper 3: La Petite Mort / 4 min. 34 sec.
Artist: Jennifer Linton

Synopsis:
Our heroine Madelaine sits reading in her parlor, when an unexpected visitor arrives. So begins the surreal narrative of La Petite Mort, a tale of love, betrayal, and one vengeful butterfly. Combining elements of erotica, horror, and dark humour, this film capitalizes on the stiff, artificial movement of paper puppets to create a strange, dream-like world. La Petite Mort was inspired by the Surrealist animations of the Polish and Czech masters Jan Lenica, Walerian Borowyck and Jan Svankmajer, Japanese tentacle erotica, and those strange, middle-of-the-night dreams one sometimes has after spicy food.

Bio:
Jennifer Linton is a Canadian visual artist whose interdisciplinary practice includes animation, drawing, installation, and printmaking. Linton currently teaches art and design courses at post-secondary institutions such as OCAD University (Toronto) and Sheridan College (Oakville). She’s received numerous awards and grants from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council, and has exhibited nationally and internationally.

Fortunes, an experimental comedy /2 min. 52 sec
Artist: Greg Barth

Synopsis:
Fortunes is an experimental comedy that portrays a collection of domestic rituals, highlighting the monotony of repetitive daily routines.
It is a study on perception, ultimately demonstrating how doing something long enough can drive you crazy.

 

Bio:
Greg Barth is an award winning video artist and director from Geneva, Switzerland, currently based in London. His passion for strong, often surreal concepts, and contemporary minimal aesthetics have brought him to work for renown international clients, get published in prestigious design books, and be strongly featured in the visual industry’s leading blogs and websites.

LAND / 4 min. 36 sec.
Artist: Yuval Yairi & Zohar Kawaharada

Synopsis:
LAND presents a filmed series of acts performed over several months and presented as non-linear fragments.‎ ‎Two opposing forces are in confrontation: a human figure and the letters of a word. The figure confronts the word and the ‎‎power of its connotations by attempting to deconstruct it, to destroy it but also to come to terms with it. ‎
Holding a pole and the four letters of the word LAND, the figure undergoes transformations in its differing relationship to the actual place – the enclosed space, and to the word itself. There are “ceremonies” and “rituals” which allude to heroic monuments and local or universal icons. Suggested here, is an examination of the idea of historical, religious or moral rights to a place, rights which are usually enforced by violence – occupation, illegal settlement, colonialization, deportation, exile – matters of choice or force.
The attitude of the human figure changes from a love of homeland and the desire for self-sacrifice, to a surrendering to fate, a feeling of claustrophobia and despair, and the desire to break away and leave for another placeincreases to an overwhelming cacophony of static.

Bio:
Yuval Yairi was born 1961 and has exhibited at the Tel Aviv Museum of Art, the Israel Museum Jerusalem, Zemack Gallery Tel Aviv, Andrea Meislin Gallery New York, Alon Segev Gallery Tel Aviv, Nikolaj Kunsthal Denmark and others.

Zohar Kawaharada was born in 1984 and exhibits in Japan and Israel.

Lollipop / 2 min
Artist: Eva Michon

Synopsis:
A girl whistles to herself while driving.

Bio:
Eva Michon is an LA-based director, originally from Toronto, Canada. She is also the editor and co-founder of Bad Day magazine.

 

Love it or Leave it / 3 min. 31 sec.
Artist: Asaf Avidan

Synopsis:
With no discretionary text, the lyrics of Love it or Leave it speak on their own.

Bio:
Asaf Avidan (born 1980) is an Israeli singer/songwriter and musician. He is also the creative force and front-man of folk/rock band Asaf Avidan & the Mojos. Avidan was born in Jerusalem, Israel in 1980. His parents were diplomats for the Israeli Foreign Office, and he spent four years of his childhood in Jamaica. After the mandatory army service in Israel, Avidan studied animation at Jerusalem’s Bezalel Academy of Arts & Design. His final project short film, “Find Love Now”, won its category at the Haifa Film Festival that year. After his studies, Avidan moved to Tel Aviv and worked as an animator, a move back to Jerusalem, quit his job lead to a full time dedication to his up until then hobby – music.

Malekia / 1 min. 40 sec.
Artist: Mohammed Bagher Shahin Varnosafaderani

Synopsis:
A girl narrates the destiny of her father, brothers and uncles who in an attempt to protect their homes and properties remained in the village of Almalekieh to only have the women and children return to their homes and find their burned corpses.

Bio:
Mohammadbagher Shahin was born in 1991 in the provincevof Ahwaz, Khouzestan in the south of Iran. He passed advanced course of making documentary at the Iran House of Cinema. Shahin has been selected as the best filmmaker under 25 years old in the Iran Image of the Year Festival in 2013. The best film prize in 100 Second International Film Festival of Iran (2014) has also been awarded to Shahin for his work.

Paradise Circus / 5 min. 21 sec.
Artist: Toby Dye

Synopsis:
Paradise Circus is the Music video for the launch single from Heligoland™, the latest album by legendary British trip hop pioneers Massive Attack. Debuted to massive critical acclaim with rave reviews in everything from the Guardian to Dazed and Confused, along with recognition from several major award ceremonies. Winner of Best in Book – Creative Review Annual 2010, Best Music Video – D&AD Award Nomination 2010, and Best Dance Video – Music Video Awards 2010.

Bio:
London based artist, Toby Dye has directed an acclaimed catalogue of highly distinctive work, recognised with major international awards for both his long-form narrative films and short-form pieces. He works across multiple disciplines, encompassing cinema, television, commercials, and music videos as well as having exhibited in galleries from London to Hong Kong.

Ripening: Playmate / 4 min. 41 sec.
Artist: Brian Gonzalez (Taxiplasm) & Vanessa Walters

Synopsis:
An ominous exploration of childhood memory and playtime; a danced revery on the slipping away of youth, the movement of Time, the seemingly sudden shift from youth to old age. “Ripening: Playmate” underlines the deliberate contrast between overt artifice (as shown by the stuffed animals and their deformities) and the ferocity of nature (as shown by the voracious insects, as well as the elements themselves – Earth, Water, Fire, and the majesty of the forest).

Bio:
Brian Gonzalez (aka Taxiplasm) graduated with honors from the School of Visual Arts as the winner of Outstanding Cinematography Class of 2009 (awarded by Robert Elswit, ASC) and has garnered numerous accolades from Sundance Film Festival, SXSW, Art Basel Miami Beach, Lincoln Center’s Dance On Camera, NYC’s Armory Arts Week, The Robert Wilson Watermill Center for Performance, and more. Gonzalez has created multi-disciplinary video works with Untitled Magazine, Atlantic Re- cords, Chimera Music, performance artists Sarah Small, Seanna Sharpe, and more. Currently Gonzalez is co-directing a feature length documentary with Sean Ono Lennon chronicling legendary avant garde designers threeASFOUR and continues to design hyper-conceptual cathartic experiences.

Vanessa Walters (Choreographer) originally hails from Baltimore, where she began dancing in high school at the Peabody Institute. She then came to NYC, got her BFA at NYU’s Tisch School of the Arts, and has lived here ever since. Walters makes choreography for live dance performance, for film and video, and for various multi-media art projects and events. Since 2001, she has been the lead choreographer of Fischerspooner, a performance group known for combining pop entertainment with a high art sensibility. Walters has choreographed music videos for Zola Jesus, AVAN LAVA, CREEP, Blank Dogs, Department of Eagles, Jamie Lidell/Nintendo, Cyndi Lauper, Kings of Leon, and Har Mar Superstar as well as live events for Mercedes Benz, Juicy Couture, House of Diehl, Daisy Spurs, Chaos & Candy, Narcissister, Wynter Gordon, and the JVA Flag Corps.

SajakThor/ 6min 43sec
Artist: Chris Rogy

Synopsis:
SajakThor engages with a violent political landscape that has remained challenging in Cambodia ever since the country’s nation-wide elections on July 28, 2013.

We find ourselves in the decaying Cambodian countryside where a traditional Khmer home is gridlocked with barricades that have been used by the Cambodian People’s Party to quell protests throughout the year.

As we enter the house, we discover an ancient Apsara. She has come, mysteriously, from the heavens to her land and people, where she is needed. This video depicts the Apsara as peacemaker, delivering a positive message to the people of Cambodian, at a time of post-election conflict.

The Apsara’s first ever appearance in Cambodian myth-history can be traced back to the famous scene, known to many Hindus and Theravada Buddhists as, “The Churning of the World’s Milk for Immortality”. It is a scene in which Hanuman and the Giant churn the serpent Naga around Mount Mandara in a cosmic tug-of-war. The Apsara bursts through bubbles in the air that are produced by churning the milk. Floating in the air, the Apsaras entice the rivals with their divine movements, which carry meaning that is literal as sign language.

As the story goes, Hanuman and the Giant are instantly mesmerized that they forget all about their conflict.

Bio:
Chris Rogy is a New York based documentary and experimental filmmaker. He was a 2013 US Fulbright Fellow to Cambodia who led a rural project developing radio drama for social change as part of his graduate work at The New School’s Media Studies program. Material gathered throughout his fellowship will be used in an upcoming web documentary that focuses on the human rights issues facing the project’s volunteers. Chris is also a member of the Illuminator art collective, a group that works to shine a light on the urgent issues of our time through the use of interactive projections in public spaces.

Shahrbanoo/ 5 min. 36 sec.
Artist: Koorosh Asgari

Synopsis:
Shahrbanoo explores and comments on the life of the Iranian woman who, historically, has been placed within an imposed context of normal home routines and whose liberation has been looted, ultimately resulting in her neglect.

Bio:
Koorosh Asgari is an Iranian photographer born in 1972. His first solo exhibition was in 2005 at the House of Artists, Tehran, Iran. He has been a part of number of group shows in different countries, including Halleh Gallery, Germany, 2012, Art Fair Bolognia, 2011, Gallery II Gabbiano, Italy, and Iran Today, 2010.

She’s Bad/ 3 min. 43 sec.
Artist: Dent de Cuir

Synopsis:
Inspired by John Stezaker’s collages, this psycho-sexual naughty horror story is a visual exploration of modern romances games of seduction. Wild!

Bio:
Dent De Cuir is a half-French / half-Canadian duo of directors. The two headed beast is popular for its music videos and interactive projects. With a strong background in graphic arts and art direction, the duo has been highly noticed for their DIY approach.
Their first video Evil Twin – auto-produced for the group Modeselektor (Monkeytown Records) – was selected at the 2013 South By Southwest edition.They also worked on projects for artists such as Neosignal, DyE, SebastiAn, with mentions and nominations in festivals like BMVA and VIA. Theirs work have been acknowledged and published in the most influential creative medias like Fluctuat, Vice (Noisey) Arte, UKF. Buzzfeed, Creative Review, .NET Mag, Digg, WallMag. The beast is always ready to work on new exciting & artistic projects.

SHAME / 7 min. 56 sec.
Artist: St. John McKay

Synopsis:
n 2011 I saw a movie called Shame by Steve McQueen and, as harrowing as it was, felt that it did not warrant the title, and felt I could present moments from my own life that were far more shameful.

 

Bio:
St. John McKay Smith is originally from New Zealand, and has been in New York for 5 years. He makes experimental documentaries in video and audio, as well as stop motion animation. His films have been played at Rooftop Films and Indie Memphis Film Festivals.

Shift / 3 min.
Artist: Max Hattler

Synopsis:
Using the New Age idea of a ‘dimensional shift’ as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and colour.

Bio:
Max Hattler (b. 1976, Ulm/Germany) was educated in London at Goldsmiths and the Royal College of Art. His films, video installations and audiovisual performances challenge the tensions between abstraction and figuration, aesthetics and politics, sound and image, precision and improvisation. Hattler has had solo exhibitions and retrospectives at Schaustelle/Pinakothek der Moderne Munich, Playgrounds Festival, Lumen Eclipse, Image Forum Festival, Fredrikstad Animation Festival, Go Short Nijmegen, Media Art Friesland and others. He has performed live around the world, including the Museum of Image and Sound in Sao Paulo, the European Media Art Festival and SuperDeluxe Tokyo. Max Hattler lives in London where he’s a Doctorate in Fine Art candidate at University of East London, and teaches at Goldsmiths and University of the Arts London.

Song for Every Ghost/ 4 min.
Artist: Chompunutt Mayta

Synopsis:
It was a late summer night and a blue crab has escaped from the seafood store in New York City Chinatown. He was forced to response towards elements and situations in our world that contribute to and sustain its harsh nature.

Bio:
Chompunutt Mayta is an artist that currently lives and works in Brooklyn, New York. She has an inexplicable fear of ghosts. Her work is emblematic and is open to ones interpretation

The Silk Silence of the Wild Cotton Candy/ 9 min. 49 sec.
Artist: Nina Caspari

Synopsis:
Back in the time of a child, inside the head of a young woman. A surreal mix of dream and reality. Memories, wishes and dreams are confronting the present. The Silk Silence of the Wild Cotton Candy is an ode to the heart to never forget the child within.

 

Bio:
Born 1987 in Recklinghausen, Germany Nina Caspari received her Bachelor of Art and Design at AKI ArtEZ Enschede, The Netherlands. She has been the recipient of the Dr. Arthur Pfungst Foundation scholarship and in 2012 received a Masters of audiovisual arts at Sint-Lukas in Belgium. Caspari is currently living and working as a freelance artist and costume designer in Brussels as well as working toward her master’s degree in costume design. Her work is inspired by poems, desire and longing plays a big role in her art. She questions (hidden) societal standards in a poetic way. You can find a taste of bitter and sweet at the same time in all of her works. They attempt to tell in a highly visual and staged way and to involve the viewer into a world seeming far away from reality, secretly whispering that real life is just around the corner.

TERRA/ 12 min
Artist: Pedro Lino

Synopsis:
“A god of horns and testicles, that after each fight and each victory, its worshipers greet with applause, cheers and tenderness. A god whose devotees love, without asking for any miracles but strength and fertility, which is proved to all, infants, youth and old.”
— Miguel torga, Journals, 1968

Bio:
Pedro Lino, (Porto, Portugal, 1980) , is a London based filmmaker and producer. Coming from a varied background in the arts, Pedro started directing animation films still in college, having his work screened and awarded in several festivals worldwide. He has received several grants from the Portuguese Film Council to direct his own short films. He’s since then moved on to live action pieces, from experimental to documentary, having recently collaborated with the Angolan Pavilion at the Venice Arts Biennale in 2013, winners of the Golden Lion. He’s currently developing several projects in fiction, documentary and installation pieces.

Visiting Hour / 4 min
Artist: Marie Schuller

Synopsis:
The central work in Marie Schuller’s film trio for SHOWstudio’s Fashion Fetish series is Visiting Hour. The work references themes of age, memory and fantasy.With exquisite styling by Tamara Rothstein and art direction from Marlon Rueberg, this beautiful film is subtle yet sensual. Deliberately combating the under-representation of mature women in sexual imagery, the film delivers a pointed depiction of older females as sexual, beautiful and powerful beings.

Bio:
Originally from Germany, Marie Schuller settled in England in 2004 where she studied filmmaking at the National Film and Television School and completed her MA in Photography at the University of the Arts London. Specialising in fashion content, her films are marked by the surreal and often abstracted offering cinematic, provocative and unsettling imagery. Since 2010 Schuller has been working for Nick Knight’s SHOWstudio in London as Head of Fashion Film. Her work has been screened internationally at institutions such as the Kunsthalle in Vienna, the Centre Pompidou in Paris and the Fashion and Textile Museum, just to name a few. In 2012, Schuller was awarded the ‘Best Director of Fashion’ prize at ASVOFF Barcelona.

WIATR/ODDECH (WIND/BREATH) /3 min.
Artist: Katarzyna Parejko

Synopsis:
Wind/Breath is an experimental collaboration of video art and photography, a new photographic video, where every frame expresses a single photograph. It’s an impressionistic approach to the invisible power of air, where wind and breath are the forces that move the world. In the background, we hear the reckless breathing of a man and the voice of a woman singing, representing the wind.

Bio:
Katarzyna Parejko (born 1991) is a photography student at the Łódź Film School (Poland). She is a third place winner of the Nikon Photo Contest International 2012-2013 in Japan, and also the recipient of the audience award at the Łodzia po Wisle Festival, for her video art piece. Her works have been shown in China, Japan, at Video Art festival in Madrid (Spain) and also at Photography Festival in Copenhagen (Denmark). Her interests in art border on the edge of different medias.

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